Art: how do you construct the world by looking?

Artist William Kentridge explores perception with his images -- and promotes fighting against entropy. As he explains in an interview with Belinda Luscombe in TIME (requires a subscription to read):

What did you mean when you wrote in your new book, Fortuna, that the job of the artist is to fight against entropy?
Entropy in its simplest form refers to the tendency of everything to collapse. If you smash a vase and throw the pieces in the air, they won't reland in the shape of the perfect vase. But the job of the artist is to smash the vase and then fashion something coherent out of those shards.

Artist Kentridge is definitely a thinking person's artist.  Look for it in the works below. To see an extended collection of his works, take a look at this MoMA (Museum of Modern Art) presentation of  his works:  "William Kentridge: Five Themes."  Click on Explore Themes to see the works (It's a flash presentation, so hard links aren't always available or don't work as expected).  Here's a sample from within the exhibit: "Thick Time/Soho and Felix: Sobriety, Obesity, and Growing Old."

Here's a glimpse of the artist in his studio and the piece he's working on, titled "Breathe":

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This next video, titled "Return," is part of a larger project, "Repeat."  Two things that are interesting about this work -- he designed it knowing it would not be watched (the video explains) and, as the piece rotates, now you see a recognizable form, now you see just pieces moving around.

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Artist Kentridge says about perception at Art21:

I’m interested in machines that make you aware of the process of seeing and aware of what you do when you construct the world by looking. This is interesting in itself, but more as a broad-based metaphor for how we understand the world.

-- Marge