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Showing posts with label William Adolphe Bouguereau. Show all posts
Showing posts with label William Adolphe Bouguereau. Show all posts

Monday, August 18, 2014

Picasso and the tyranny of realism

The other day my attention was caught by this Picasso quote:
It took me four years to paint like Raphael, but a lifetime to paint like a child. (Brainy Quotes)

It's so true, but more about this later.

To acquaint yourself with Picasso's paintings, take a look at Wikiart, where the Picasso entry shows all of his works (at least that what the site says). Picasso's works number in the ten thousands.  "8 Things You May Not Know About Picasso" gives some interesting facts about him.  Ironically, I like this painting from his early period, where he painted more realistically.
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image: painting by Pablo Picasso
Picasso, Portrait of the artist's mother (1896), Wikiart
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To paint like a child is, to me, painting from inside.  What we see when we open our eyes is a world rendered in full 3D.  It's a beautiful world, granted.  But overwhelmingly so.  And it has been painted over and over without touching what's going on in the mind and emotions of the painter.  Often the works most technically true to life are the most lifeless.

As an example, compare Bouguereau's work with that of Toni Shulajkovski, a frequent poster on Google+.
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image: painting by William Adolphe Bouguereau
William Adolphe Bouguereau, Work Interrupted(1891, bougereau.org
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image: painting by Toni Shulajkovski
Toni Shulajkovski, The Resonance, Google+
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Toni definitely doesn't paint like a child--there's a lot of technique in his paintings (and of course there's technique in Picasso's more childlike works).  But he does paint what he feels.  Here's one he did that's more thought-provoking.
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image: painting by Toni Shulajkovski
Toni Shulajkovski, Mirage 2011, Google+
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Even painting in the abstract genre doesn't touch what I'm trying to say. (Warning: sermonizing imminent.) What I'm trying to say is be present with your work: artwork, coding, writing, whatever.  Let the work evolve on its own, not just follow someone's convention or even what your eyes see in the 'real' world. And if the juices stop flowing, step away and come back later. If the work has merit, a break from it will help--a lot.

Here's another quote from Picasso:
Inspiration exists, but it has to find us working.
-- Marge


Monday, March 17, 2014

Art: The licked finish, the wild beasts, and the cubists in room 41

In 1901 French artist William-Adolphe Bouguereau finished this painting:
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image: painting by William Adolphe Bouguereau
William Adolphe Bouguereau, "Rêve-de-printemps" Wikimedia Commons
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Bouguereau was a well-respected, successful artist, and lifetime member of L'Académie française. Quoting from Wikipedia --
 ...To many, he epitomized taste and refinement, and a respect for tradition. To others, he was a competent technician stuck in the past. Degas and his associates used the term "Bouguereauté" in a derogatory manner to describe any artistic style reliant on "slick and artificial surfaces", also known as a licked finish. In an 1872 letter, Degas wrote that he strove to emulate Bouguereau’s ordered and productive working style, although with Degas' famous trenchant wit, and the aesthetic tendencies of the Impressionists, it is possible the statement was meant to be ironic.

Also in 1901, 71 paintings by Vincent Van Gogh were shown at the Bernheim-Jeune gallery in Paris.  According to History.com, "In his lifetime, he had sold only one painting."  That painting was "The Red Vineyard."
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image: painting by Vincent Van Gogh
Van Gogh, The Red Vineyards," Wikimedia Commons
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By 1904, beginning with les Fauves (the wild beasts), representational art began to lose its hold on the art world.  Les Fauves were
a loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Henri Matisse and André Derain.

In 1907 a "Cézanne retrospective at the Salon d'Automne greatly affected the avant-garde artists of Paris, resulting in the advent of Cubism" (Wikipedia). This style by Cezanne was of particular interest of Pablo Picasso and Georges Braque.
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image: painting by Paul Cezanne
Paul Cezanne, "Bibemus Quarry, Wikimedia Commons
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In room 41 of the Autumn Salon of 1911, Picasso and Braque introduced cubism and the break from representational art was made.
[Cubism] abandoned perspective, which artists had used to order space since the Renaissance. And it turned away from the realistic modeling of figures and towards a system of representing bodies in space that employed small, tilted planes, set in a shallow space (The Art Story)."

Here is a familiar work of Picasso's showing analytic cubism and painted about the same time:
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image: painting by Pablo Picasso
Pablo Picasso, "Woman Playing Guitar," Wikimedia Commons
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For good information on art and art movements, take a look at The Art Story.

-- Marge